Georgian (Georgia)English (United Kingdom)
დეკორატიული პანოები ზაქარია მაისურაძის შემოქმედებაში
There are no translations available.

მარინე მაისურაძე

ქართული თანამედროვე პროფესიული კერამიკა უკვე ნახევარ საუკუნეზე მეტს მოიცავს. ხელოვნების ამ დარგის აღორძინება და განვითარება ჩვენს დროში დაკავშირებულია 1928 წელს თბილისის სამხატვრო აკადემიაში გახსნილ კერამიკის კათედრასთან.
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UNKNOWN PAINTING BY GIORGI GABASHVILI
MAIA TSITSISHVILI
George Chubinashvili National Research Centre
for Georgian Art History and Heritage Preservation
Ivane Javakhishili Tbilisi State University


Lovers of Georgian art are familiar with the creative work of one of the founder’s of Georgian easel painting – Gigo Gabashvili. Up to date, he is known as original realist artist with distinguished talent in painting, the supporter of Russian School of Peredvizhniks.
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FOR STUDY OF MODERN GEORGIAN ART (Summary)
DIMIRTI TUMANISHVILI
G. Chubinashvili National Research Centre for Georgian Art History
and Heritage Preservation
Ap. Kutateladze Tbilisi State Academy of Art


This article concerns two issues, which in the author’s opinion are topical and would have to be resolved: a) Complete historical picture of the Soviet times fine art should be reconstructed and evaluated with an objective approach, free from political interference and conjectures; b) Chronological of Niko Pirosmanashvili’s art works should be established, and authenticity of the paintings known by now are to be verified.
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CHARACTER OF STAGING DECISIONS ON THE GEORGIAN STAGE IN 1940-1950s
TEA URUSHADZE
The University “lLITERA”

In the process of Georgian staging development 1940-1950 years represent the most important part, which link with consolidation of new aesthetic principles of the stage ensuing from the political regime and require new estimations from the present standpoint.
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EXPRESSIONISTCONSTRUCTIVIST STRIVINGS IN GEORGIAN STAGE DESIGN OF THE FIRST DECADES OF THE 20th CENTURY
TAMAR BELASHVILI
George Chubinashvili National Research Centre
for Georgian Art History and Heritage Preservation
Tbilisi State Academy of Arts


The first decades of the 20th century are in many ways exceptional period. In the history of Georgian culture and art; in this respect, stage design is not an exception. By Kote Marjanishvili’s initiative, during the Season of 1923-24, the Rustaveli Theatre troupe started intensive work on Expressionistic plays.
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TBILISI RESIDENTIAL HOUSE (51, Tabukashvili Str.) (Summary)
Lali Andronikasvili

The exterior of the residential house at 51, Tabukashvili Street is not distinguished with high artistic qualities. But the interior demonstrates the uniqueness of the building. Isarlishvily family built the house at the end of 19th century that can be confirmed by the design of the house stored in the family of Isarlishvili descendents.  The story of Isarlishvili noble family as well as the history of this house has close links with dramatic events taking place in Georgia during 19th century.



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LITERARY RELATIONS – ONE OF THE BASES OF THE IDENTITY IN THE PROCCESS OF EUROPEANIZATION OF GEORGIA (19th CENTURY)
TAMAR SHARABIDZE
Ivane Javakhishili Tbilisi State University

In Georgia, the Europeanization process started from the 19th century. This process was expressed in returning to the Christian mentality, supported by the literary relations, formed in the country during this period.
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TO THE GENESIS OF MODERNIST MODELS IN GEORGIAN “CREATIVE SPACE”
TAMAR PAICHADZE
Ivane Javakhishili Tbilisi State University

The issue of integration of Avant-gardism with Georgian literature was periodically rising in the culturological studies but, on different stages, averaged approach was formed, characterized by dual position: positive and negative perception of the problem.
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MODERN GEORGIAN SOCIETY AND MUSICAL IDENTITY
RUSUDAN TSURTSUMIA
V. Sarajishvili Tbilisi State Conservatoire

This paper is aimed at finding out what/which music helps modern Georgian society in self-identification and what is the social psychological basis of this phenomenon.
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ნეპის პერიოდის მოდა და ქართული კინოს ფსიქო-სოციალური მოდელი (ნაწილი II) | Print |
There are no translations available.

ოლიკო ჟღენტი
ბათუმის ხელოვნების სასწავლო უნივერსიტეტი

ნეპის პერიოდის კინოში აქტიურდება ბულვარული რომანის, კრიმინალური და სენსაციური ქრონიკის მოტივები და სიუჟეტები: საბედისწერო ვნება, ტრფობა და დუელი, შურისძიება თუ მკვლელობა, ცოლ-ქმრული ღალატი (რევოლუციამდელი რუსული თუ ევროპული კინოს ეს ტრადიციული  პასაჟები ექსცენტრიკულად არის გათამაშებული ფილმში „ჩემი ბებია“).
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