Georgian (Georgia)English (United Kingdom)
EXPRESSIONISTCONSTRUCTIVIST STRIVINGS IN GEORGIAN STAGE DESIGN OF THE FIRST DECADES OF THE 20th CENTURY
TAMAR BELASHVILI
George Chubinashvili National Research Centre
for Georgian Art History and Heritage Preservation
Tbilisi State Academy of Arts


The first decades of the 20th century are in many ways exceptional period. In the history of Georgian culture and art; in this respect, stage design is not an exception. By Kote Marjanishvili’s initiative, during the Season of 1923-24, the Rustaveli Theatre troupe started intensive work on Expressionistic plays.
Read more...
 
TBILISI RESIDENTIAL HOUSE (51, Tabukashvili Str.) (Summary)
Lali Andronikasvili

The exterior of the residential house at 51, Tabukashvili Street is not distinguished with high artistic qualities. But the interior demonstrates the uniqueness of the building. Isarlishvily family built the house at the end of 19th century that can be confirmed by the design of the house stored in the family of Isarlishvili descendents.  The story of Isarlishvili noble family as well as the history of this house has close links with dramatic events taking place in Georgia during 19th century.



Read more...
 
LITERARY RELATIONS – ONE OF THE BASES OF THE IDENTITY IN THE PROCCESS OF EUROPEANIZATION OF GEORGIA (19th CENTURY)
TAMAR SHARABIDZE
Ivane Javakhishili Tbilisi State University

In Georgia, the Europeanization process started from the 19th century. This process was expressed in returning to the Christian mentality, supported by the literary relations, formed in the country during this period.
Read more...
 
TO THE GENESIS OF MODERNIST MODELS IN GEORGIAN “CREATIVE SPACE”
TAMAR PAICHADZE
Ivane Javakhishili Tbilisi State University

The issue of integration of Avant-gardism with Georgian literature was periodically rising in the culturological studies but, on different stages, averaged approach was formed, characterized by dual position: positive and negative perception of the problem.
Read more...
 
MODERN GEORGIAN SOCIETY AND MUSICAL IDENTITY
RUSUDAN TSURTSUMIA
V. Sarajishvili Tbilisi State Conservatoire

This paper is aimed at finding out what/which music helps modern Georgian society in self-identification and what is the social psychological basis of this phenomenon.
Read more...
 
ნეპის პერიოდის მოდა და ქართული კინოს ფსიქო-სოციალური მოდელი (ნაწილი II) | Print |
There are no translations available.

ოლიკო ჟღენტი
ბათუმის ხელოვნების სასწავლო უნივერსიტეტი

ნეპის პერიოდის კინოში აქტიურდება ბულვარული რომანის, კრიმინალური და სენსაციური ქრონიკის მოტივები და სიუჟეტები: საბედისწერო ვნება, ტრფობა და დუელი, შურისძიება თუ მკვლელობა, ცოლ-ქმრული ღალატი (რევოლუციამდელი რუსული თუ ევროპული კინოს ეს ტრადიციული  პასაჟები ექსცენტრიკულად არის გათამაშებული ფილმში „ჩემი ბებია“).
Read more...
 
FASHION OF “NEP” PERIOD AND CULTURAL GUIDELINES OF GEORGIAN CINEMATOGRAPHY
OLIKO ZHGHENTI
Batumi Art Teaching University

The Cinematography of “NEP” (New Economic Policy) epoch (1921-1927), as the form of cultural memory, was rarely considered in the view of national identity. Therefore, it was hardly a subject of art historical research,
Read more...
 
BOOK ILLUMINATION: METAMORPHOSIS PAR EXCELLENCE? (MODERN GEORGIAN MINIATURE PAINTING: TRADITION AND IDENTITY)

NINO CHINCHARAULI
George Chubinashvili National Research Centre
for Georgian Art History and Heritage Preservation
Tbilisi State Academy of Arts

During the last decade, artistic phenomenon executed in miniature technique and style can be singled out. The miniaturists hardly introduce any stylistic innovations, basing their creative work, mainly, on medieval art.

Read more...
 
20th CENTURY GEORGIAN STAGE DESIGN: TRADITION AND INNOVATIVENESS
MARIANA OAKLEY
George Chubinashvili National Research
Centre for Georgian Art History and Heritage Preservation


The 20th century Georgian stage design occupies an important place not only in the history of Georgian art and theatre but also in the research of stage design in general.
Read more...
 
THE RESEARCH OF LINKS BETWEEN THE PROBLEM OF ETHNICAL IDENTITY AND CULTURAL INTEGRATION AMONG GEORGIAN ART AND SOCIAL ORGANIZATION IN THE BEGINNING OF XX CENTURY
IRINE ABESADZE
Shota Rustaveli Theatre and Film Georgian State University

The subject of approach to mental heritage of ethnical minority of Tbilisi has always been important for the politics of “The Association of Georgian Art Men”.
Read more...
 
<< Start < Prev 11 12 13 14 15 Next > End >>

Page 13 of 15
Copyright © 2010 http://gch-centre.ge
Contact information: (+995 32)931338, (+995 32)931538, e-mail: research@gch-centre.ge
Designed and Developed By David Elbakidze-Machavariani