 | UNKNOWN PAINTING BY GIORGI GABASHVILI MAIA TSITSISHVILI George Chubinashvili National Research Centre for Georgian Art History and Heritage Preservation Ivane Javakhishili Tbilisi State University
Lovers of Georgian art are familiar with the creative work of one of the founder’s of Georgian easel painting – Gigo Gabashvili. Up to date, he is known as original realist artist with distinguished talent in painting, the supporter of Russian School of Peredvizhniks.
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 | FOR STUDY OF MODERN GEORGIAN ART (Summary) DIMIRTI TUMANISHVILI G. Chubinashvili National Research Centre for Georgian Art History and Heritage Preservation Ap. Kutateladze Tbilisi State Academy of Art
This article concerns two issues, which in the author’s opinion are topical and would have to be resolved: a) Complete historical picture of the Soviet times fine art should be reconstructed and evaluated with an objective approach, free from political interference and conjectures; b) Chronological of Niko Pirosmanashvili’s art works should be established, and authenticity of the paintings known by now are to be verified. ... დაწვრილებით... |
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 | TBILISI RESIDENTIAL HOUSE (51, Tabukashvili Str.) (Summary) Lali Andronikasvili
The exterior of the residential house at 51, Tabukashvili Street is not distinguished with high artistic qualities. But the interior demonstrates the uniqueness of the building. Isarlishvily family built the house at the end of 19th century that can be confirmed by the design of the house stored in the family of Isarlishvili descendents. The story of Isarlishvili noble family as well as the history of this house has close links with dramatic events taking place in Georgia during 19th century.
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 | TO THE GENESIS OF MODERNIST MODELS IN GEORGIAN “CREATIVE SPACE” TAMAR PAICHADZE Ivane Javakhishili Tbilisi State University
The issue of integration of Avant-gardism with Georgian literature was periodically rising in the culturological studies but, on different stages, averaged approach was formed, characterized by dual position: positive and negative perception of the problem.
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 | MODERN GEORGIAN SOCIETY AND MUSICAL IDENTITY RUSUDAN TSURTSUMIA V. Sarajishvili Tbilisi State Conservatoire
This paper is aimed at finding out what/which music helps modern Georgian society in self-identification and what is the social psychological basis of this phenomenon.
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 | ნეპის პერიოდის მოდა და ქართული კინოს ფსიქო-სოციალური მოდელი (ნაწილი II)
There are no translations available.
ოლიკო ჟღენტი ბათუმის ხელოვნების სასწავლო უნივერსიტეტი
ნეპის პერიოდის კინოში აქტიურდება ბულვარული რომანის, კრიმინალური და სენსაციური ქრონიკის მოტივები და სიუჟეტები: საბედისწერო ვნება, ტრფობა და დუელი, შურისძიება თუ მკვლელობა, ცოლ-ქმრული ღალატი (რევოლუციამდელი რუსული თუ ევროპული კინოს ეს ტრადიციული პასაჟები ექსცენტრიკულად არის გათამაშებული ფილმში „ჩემი ... დაწვრილებით... |
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 | THEATRE IN THE NONTHEATRICAL SPACE KETEVAN SHAVGULIDZE Tbilisi State Academy of Arts Grigol Robakidze University Ivane Javakhishili Tbilisi State University
“The idea of theatre is lost because it is content with the status of a spectator, an observer… Accordingly, indifference of the audience towards the theatre and interest in the cinema and music hall is understandable.” Antonin Artaud
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 | Giorgi (Gogi) Roinishvili (1921–2000)
Honoured artist of Georgia. Member of Artists Union and Journalist Federation. He graduated from the Academy of Arts – fine arts department in 1946. From 1947 he participated in many exhibitions in Tbilisi, Moscow, Warsaw, Vilnius. He worked in graphic design, painting, film, theatre and book illustration. From 1947 he worked in the children’s magazine "Dila" ("Morning"). From 1962–2000 he was its chief art-editor. Georgian artist Giorgi (Gogi) Roinishvili (1921–2000) was born in Tbilisi. In 1939 he entered the Academy of Arts – fine arts department. He participated in the Second World War. After the war he continued studying in Academy of Arts under Ucha Japaridze. His art-masters also were such artists of standing reputation as Joseph Sharleman, David Kakabadze, Sergo Kobuladze. In 1946 he graduated from the Academy of Arts and began to work in the children’s magazine "Dila" ("Morning"), where he was art editor for a long time. From 1947 he was a regular participant in All-Unio ... დაწვრილებით... |
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