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20th CENTURY GEORGIAN STAGE DESIGN: TRADITION AND INNOVATIVENESS |
MARIANA OAKLEY
George Chubinashvili National Research
Centre for Georgian Art History and Heritage Preservation
The 20th century Georgian stage design occupies an important place not only in the history of Georgian art and theatre but also in the research of stage design in general.
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THE RESEARCH OF LINKS BETWEEN THE PROBLEM OF ETHNICAL IDENTITY AND CULTURAL INTEGRATION AMONG GEORGIAN ART AND SOCIAL ORGANIZATION IN THE BEGINNING OF XX CENTURY |
IRINE ABESADZE
Shota Rustaveli Theatre and Film Georgian State University
The subject of approach to mental heritage of ethnical minority of Tbilisi has always been important for the politics of “The Association of Georgian Art Men”.
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THEATRE IN THE NONTHEATRICAL SPACE |
KETEVAN SHAVGULIDZE
Tbilisi State Academy of Arts
Grigol Robakidze University
Ivane Javakhishili Tbilisi State University
“The idea of theatre is lost because it is content with the status of a spectator, an observer… Accordingly, indifference of the audience towards the theatre and interest in the cinema and music hall is understandable.” Antonin Artaud
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CIVILISATION IDENTITY OF GEORGIA IN TERMS OF RETROSPECTIVE AND MODERN REALITY |
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EMZAR KAKHIDZE
Batumi State Maritime Academy
Georgian civilization was formed in the presence of ancient oriental hegemony, although our region has not become its organic part.
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“KIMERIONI” IN 1919-1920 - ART CAFE OF DECADENT ARTISTS OR THE TEMPLE OF “NEW ART”? |
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NINO CHIKHLADZE
Georgian National Museum. Museum of Fine Arts
In the early 20th century artistic café clubs and café cabarets, as the places of gathering for art leaders’ and venues of creativity events, were spread in Europe and Russia. Similar places were also available in Tbilisi
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Page 15 of 17 |
